In my view, what really changed the landscape of superhero
and comics related films was X-Men. There were rumors of the film being made
circulating ever since the animated series had been popular. Speculation on who
would play certain roles was rampant, and Wizard Magazine had several articles on
it. I honestly didn’t think it would ever happen. Batman and Superman, and
possibly Spider-Man were the only characters popular enough to warrant a
well-done, high budget film that would be well received by the general public.
So it was quite a shock to me that while eating breakfast on
my last day in Japan when I heard that an X-Men movie was not only being made,
but was due to be out within a couple of months. I was initially excited, then
worried. Here was the chance that my favorite characters would be portrayed on
screen, that the world at large would be introduced to Wolverine, and the
possibility that it would be awesome. There was also the very, very distinct (and
probable) chance that it would suck, and suck hard. Based on the past movies/shows,
I would have given it about a 2% chance of being good, 8% chance of being just
okay, and a 90% chance of being bad. I was worried that whatever
studio/producer/director combination would screw it up and ruin the prospects
of my hobby being accepted by others. I had hoped that a well made movie would hopefully
help them (parents/friends/bullies) understand why I loved the characters so
much and earn me some vindication as to why I spent so much time and money on
them.
So when I walked out of the theater, my first thought was, “That
didn’t suck.” In fact, it was kinda good. I didn’t know who this Hugh Jackman
was, but he nailed the role of Wolverine. The movie was subdued a little bit –
no flashy yellow spandex and they were a bit conservative on the fighting. Specifically, the
black leather in place of traditional costumes helped it be more palatable by
the general public, and the marketing made it seem somewhat attractive to the
sci-fi, comic book, and action movie audiences.
And then X2 was even better. Director Bryan Singer said that
X2 was the movie he wanted to make, but that the first movie was sorta like an
extended introduction/trailer that had to be made first. Because the first one
had been well received, he could experiment a little more in some X-Men
history, other characters, and be a little more flashy on powers.
However, X-Men III was a big disappointment. It did well at
the box office, but a lot of that was because of the good will earned by the
previous two movies. Sure, it had some cool
action pieces and some new
characters, but it tried to do too much and combine the Dark Phoenix story with
the Cure story while doing neither story justice. It seemed like they (the studio) weren’t
as concerned with telling another chapter of a cohesive story about a group of heroes
that had previous history as they were about making a single movie. They kinda
neglected to do their research about exactly what the previous films had
covered and were making a movie by the numbers with an action scene every so
many minutes whether the story demanded it or not. On top of that, it felt “subversive” and shocking because so many important characters died (though, it should be noted that some of them occurred because of studio politics more than plot development).
Trading off years with the X-Men movies were the Sam Raimi
Spider-Man movies. As much praise as I give X-Men for keeping true to the
characters/story/history and really only changing it by toning down the costumes,
I have to give a lot of credit to how well this movie turned out. The only
major change from the comics was that Spider-Man made web organically rather
than by using self-invented mechanical web shooters. Everything else was a slight
modern day adjustment (like cage fight wrestling instead of a circus and
genetically altered spider instead of radioactive). I thought they nailed the
characters of Aunt May and J. Jonah Jameson, but that while Toby Maguire was
pretty good as Peter, he wasn’t as good as Spider-Man, but part of that may
have been the script.
And just like X-Men before it, Spider-Man 2 was even better. It
continued the story and had a more believable/relatable villain. My only major
gripe was that the kidnapping of Mary Jane would become a common theme. And it
continued in Spider-Man 3. Like X-Men 3, they tried to do too much in one movie
by combining Sandman, Harry as New Goblin, and Venom. From what I’ve read there
was a lot of meddling from the producers and it shows. It would have been
better to do Sandman and Harry while teasing Venom for the fourth film. It had
some major cringe and seemed like they were on cruise control, not putting
nearly as much thought into plot/story/originality, and it kinda put a hiatus on
the franchise.
One thing I noted was that because 20th Century
Fox had released X-Men and Sony released Spider-Man, there would be no
crossover potential, which was always one of Marvel Comics’ bigger selling
points.
Around this time, Daredevil and Hulk movies were released.
There were good and bad parts of both films, but they weren’t up to the quality
of the first two X-Men or Spider-Man films. My hopes that they had finally
cracked the code and now most comics-related films would be good were a little
shaken. But they were definitely better than the pre-2000’s movies/TV versions,
and were at least tolerable/passable, but nothing that would really excite
people who weren’t already comics fans. And unlike the X-Men/Spider-Man movies,
they didn’t “convert” any new fans to run out and start reading the source
material. An Elektra sequel was released, but it was pretty bad. I didn’t see
it in the theaters and only ended up getting it on DVD because it was part of a
2-movie set (the other being the director’s cut of Daredevil).
Within this same time frame, there were also 2 Punisher
movies, 2 Fantastic Four movies, and 2 Ghost Rider movies. In all three cases,
the first one was passable and the second was not as good. I only saw the
first Ghost Rider film in the theater, and didn’t even know about the Punisher ones
until years later (and I still haven’t seen the second one). Like the Hulk and
Daredevil movies, they were just okay. Not great, but not atrocities like the
old Captain America movies. Had they been released in the 90’s, they would have
been viewed more favorably because they were at least decent, and were better
than any comic book movies thus far (Batman 1 and Superman 1 excepted). But
because they had been released in a post X-Men/Spider-Man world, they seemed
more mediocre.
The Fantastic Four movies were a little bit better, had a
little more levity and some camp, but also lacked much of a menacing villain. In
the second one they transformed one of Marvel’s most iconic cosmic villains
(Galactus) into a cloud. A cloud. Overall I liked them but didn’t love them, but they
were at least fun to watch.
On the DC side of things, they released a very badly made
Catwoman film with Halle Berry which I haven’t seen and probably never will.
Ms. Berry even showed up at the Razzies to accept her award. They also did
Constantine and V for Vendetta, which were comics based but not like the
traditional superhero in spandex type of film. V for Vendetta adapted the Alan Moore graphic novel into a movie but took a few cues from Orwell's Nineteen-Eighty-Four and lightened up on the anarchy a bit, but was a very good film. On TV, the show Smallville
showed the origins of Clark Kent. It was pretty good for about 5 seasons, but
the combination of the Writer’s Strike of 2007 and having no real ending
planned made it into just another commonplace, meandering teen drama that happened to have
someone fast/strong in it. Had there been some sort of plan in place to end after, say, 6 seasons having acquired all his powers, and then transitioned to the big screen in Superman Returns, it would have been great.
Speaking of which, in their efforts to revive the Superman franchise, Superman
Returns was released. It had been teased in the late 90’s and in developmental
hell for nearly a decade ever since the Death of Superman story arc in the
comics renewed interest in the character. Kevin Smith has a humorous story on some of that, but what eventually ended up being released was directed by Bryan
Singer of X-Men fame, and starring Brandon Routh, who kinda looked and sounded
like Christopher Reeve. The problem with the movie was that it was a sequel to
the Richard Donner cut of Superman II, which is hard to explain to a casual fan.
The short version is that when Donner was forced out of production on Superman
II (even though it was 75% completed), his replacement had to re-shoot stuff to
get the sole credit on direction, and the easiest way to do that was to revert
back to an inferior version of the script. When the original footage
resurfaced, Donner was able to (more or less) put the movie together they way
it had originally been intended and it was released on DVD. So Singer was
making a sequel to that, ignoring the third and fourth Superman movies and the
theatrical release of the second one. What came out was kinda like a remake of
Superman 1 almost, with some scenes and dialogue being straight copied from the
original. There was also the issue of Superman being kinda like a super powered
stalker ex-boyfriend. But the one thing they didn’t screw up on was keeping
John Williams’ music. However, the film didn’t inspire any sequels.
However, DC rebooted the Batman franchise with Batman
Begins, which sort of follows the Batman: Year One story from the comics. This was a great film
by Christopher Nolan that had a very realistic take on the origins of the
character. Its sequel, the Dark Knight, was even better, and was so good that I
forgot I was watching a superhero film instead of a noir crime drama. However,
like the X and Spider franchises, they dropped the ball on the third film. It
wasn’t as tight of a story, had some major plot holes, and there were a few odd
choices in the character development. But overall it was better than the third
movies for X-Men and Spider-Man.
A few other films of note were Watchmen, Jonah Hex, and Green Lantern.
Green Lantern wasn’t great, but it was about as good as Hulk or Daredevil. It
teased a sequel, but the box office numbers made that somewhat unlikely. Watchmen
was greatly hyped and looked fantastic from the trailer, but the film itself was a bit dull and
dragged. I didn't see or hear much about Jonah Hex.
I should also mention that during this time there were also several animated shows (as there always have been) on various channels. TMNT was rebooted twice, there were a couple of iterations of an X-Men cartoon, and various Batman, Justice League, and Teen Titan shows (among a lot of other things). Some worked, some didn't. I would love to say I watched them all, but I was too busy and uninterested.
Overall, for this era of superhero films, I would say that
there were 3 trilogies that made 2 good movies where the second one was better
than the first, but where the ball was dropped on the third film (X, Spider,
and Bat). There were a lot of mediocre films, but ones that I would never
imagined would ever get made because they weren’t as popular (Fantastic Four,
Daredevil, Hulk, Ghost Rider, Punisher, Green Lantern, V for Vendetta, Watchmen).
And there were a few bad spin-offs/sequels based on characters most people
already knew (Electra, Catwoman, Superman Returns). To someone who wanted nothing
more than to see some movies in this genre that weren’t terrible, I gotta say
that I was fairly happy that this kind of thing was becoming a little more
mainstream and accepted. The general public now knew about more superheroes than Batman, Superman, and Spider-Man. But I had no idea that another revolution was about to
begin.
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